Next Thursday, 14 May, we will present the second of our two spring concerts at Goldsmiths College, London. As well as pieces by Pauline Oliveros (her almost forgotten string quartet The Wheel of Time, of which we gave the UK premiere at hcmf// last year), Clara Iannotta (Limun for violin, viola, and two page turners), and Patricia […]
Next Tuesday, 8 May, we will give the first of two concerts at Goldsmiths College, London, this spring (the second is on 14 June). These have been arranged with Goldsmiths’ Lecturer in Sonic Arts, Patricia Alessandrini, whose music will feature in each concert. In June we will play her string quartet De profundis clamavi [hommage à Alban […]
We’re in Reykjavík today, and ready to make our Icelandic debut at Dark Music Days with music in our ‘Approaching Dutilleux’ project, built around his chamber masterwork Les Citations. This concert features a new addition to the repertoire from Icelandic composer Bára Gísladóttir. Bára is en route to Iceland to work with us today, but Aaron Holloway-Nahum […]
Our first concert of 2018 is already almost here! On Friday 12 January we perform Elliott Carter’s legendary Double Concerto for harpsichord and piano at LSO St Luke’s, with Riot members Goska Isphording and Adam Swayne in the challenging solo roles. This will not be the only highlight of the evening, however: the concert is […]
Our first concert of 2018 is already almost here! On Friday 12 January we perform Elliott Carter’s legendary Double Concerto for harpsichord and piano at LSO St Luke’s, with Riot members Goska Isphording and Adam Swayne in the challenging solo roles. This will not be the only highlight of the evening, however: the concert is […]
On Saturday, we will be at St Nicholas’ Church in Brighton, giving the world premiere of Block Mouvementa by the French composer Sylvain Marty, one of our 2017 call for scores commissions. (Also on the programme: another call for scores commission by Mirela Ivičević.) Sylvain is currently very busy with pressing compositional deadlines, but he managed to find time to answer […]
On Saturday, we will be at St Nicholas’ Church in Brighton, giving the world premiere of Baby Magnify/Lilith’s New Toy by the Croatian composer Mirela Ivičević, one of our 2017 call for scores commissions. (Also on the programme: another call for scores commission by Sylvain Marty.) This week Mirela took some time out of her busy travelling […]
It’s my pleasure to be giving this Friday the UK Premiere of Liza Lim’s violin concerto, Speak, Be Silent. Liza is a generous composer and collaborator, and I’ve been an admirer of her music for a long time, so it was a particular pleasure to spend a day working on the piece with her, and asking […]
The ensemble is currently hard at work at Real World Studios, and tonight we will be recording Heather Stebbins’ miniature written especially for our two pianists Claudia Racovicean and Adam Swayne. ‘Ursa Minor’ is a beautiful and semi-improvisatory piece featuring some extraordinary sounds that we can’t wait to get ‘in the can’! Find out more […]
At our session at Real World Studios this week we are recording super works for toy piano(s) by composers Monica Pearce and Thomas Kotcheff. Here they answer Adam’s questions about their intimacies with these dinky noise-makers, embracing sonics, tonics and politics … You are both seasoned ambassadors for the toy piano. Please can you describe your activities to […]